Nostalghia

Nostalghia (1983)
Director: Andrei Tarkovsky
Tagline: « Unspoken feelings are never forgotten »
Actors:
Andrei Gorchakov
Andrei's Wife
Chambermaid
Domenico's Wife
Civil Servant
Genre: Drama
Writers:
screenplay
screenplay
Plots: A Russian poet and his interpreter travel to Italy researching the life of an 18th-century composer, and instead meet a ruminative madman who tells the poet how the world may be saved. Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia’s traveling through Italy researching the life of an 18th-century Russian composer. In an ancient town, he meets Domenico, who years earlier had imprisoned his family to save them from the evils of the world. Seeing some truth in Domenico’s act, Andrei becomes drawn to him. In a series of dreams, the poet’s nostalgia, and his sense of kinship with Domenico become intertwined.
Related movies: Featured in: Une journée d'Andrei Arsenevitch (Clips and discussion of film.) , Auf der Suche nach der verlorenen Zeit. Andrej Tarkowskijs Exil und Tod (Clips shown and discussed.) , Aleksandr Sokurov i ego fil'my (Clips shown)

Der schwebende Schritt des Storches

To meteoro vima tou pelargou (1991)
Actors:
Missing Politician
The Woman
Alexandre the Reporter
Production Manager
Chief Photographer
Sound Operator
Genres: Drama, Romance
Plots: A reporter stuck in a border town with an overcrowding of refugees sees a man he believes to be a long lost politician. Alexandre, a TV reporter, is working for a few days in a border town, where a lot of refugees from Albania, Turkey and Kurdistan are packed in. Among them, he notices an old man and thinks he is an important Greek politician who disappeared mysteriously a few years ago. Back in Athens, he asks this politician’s former wife to come and identify him. A slow and dry meditation about inhumanity of borders. Covering the flight of Albanian, Kurdistan, and Iranian refugees into Greece, Alexandre, a Greek journalist from Athens, and his small TV crew, find themselves in a bleak, overcrowded border town. After a chance encounter with a weary, grizzled man, who is the spitting image of a missing Greek politician, Alexandre contacts the wealthy former French wife of the parliamentarian in high hopes of identifying the man. Under those circumstances, the question remains: who is the stranger with the big, doleful eyes?
Related movies: Followed by: To vlemma tou Odyssea , Mia aioniotita kai mia mera

Der Kuss der Spinnenfrau

Kiss of the Spider Woman (1985)
Director: Hector Babenco
Actors:
Luis Molina
Valentin Arregui
Leni Lamaison
Genre: Drama
Writers:
based on the novel by
written by
Plots: A gay man and a political prisoner are together in a prison. The gay man narrates the stories of two fake movies and his own life. Luis Molina and Valentin Arregui are cellmates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape reality, Luis invents romantic movies, while Valentin tries to keep his mind on his situation. During the time they spend together, the two men come to understand and respect each other. Valentin Arregui and Luis Molina are unlikely cellmates in a Latin American prison. Valentin, a journalist, is a political prisoner who was working for a leftist anti-government revolutionary group. While in prison, he is frequently tortured in order to cough up information on those with whom he is working. That includes the new prisoner in the cell across the block from his. Valentin has yet to provide the authorities with any useful information. Molina, a stereotypically gay window dresser, is imprisoned on morals charges: having homosexual sex with a minor. He states that he has no political affiliations. To pass the time, Molina recounts aloud story-lines from his favorite movies, usually those of a romantic nature. The current movie of which he is telling is a wartime romantic thriller, which in reality is a World War II Nazi propaganda film, about which he doesn’t care as he focuses on the romance part of the story. Because of the reason for his imprisonment, Valentin doesn’t much like that Molina is telling a story produced by a repressive regime, but gets caught up in Molina’s story-telling regardless. The unlikely cell mates form an equally unlikely friendship based on their mutual support for each other. Molina later admits that he has fallen in love with Valentin. What Valentin does not know is that Molina has been co-opted by the prison warden and the secret police to befriend Valentin so that he can get information on and report back to them about the leftist group with which Valentin is working. Molina’s reward is early parole. Which side is Molina really supporting?
Related movies: Featured in: The 58th Annual Academy Awards , Stairs (Clip shown.) , São Paulo – Cinemacidade (A clip is presented)
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